And here is the third post in my ongoing poetry mini interview.
In this “very special” episode — animated, in homage to The Sorcerer’s Apprentice — I wonder how I know when a poem is finished. Grace Paley guest-stars.
And here is the third post in my ongoing poetry mini interview.
In this “very special” episode — animated, in homage to The Sorcerer’s Apprentice — I wonder how I know when a poem is finished. Grace Paley guest-stars.
The second installment in my five-part “poetry mini interview” has just been posted.
In this week’s exciting episode — groundbreaking in its use of CGI — I answer the question, “What poets changed the way you thought about writing?” Special appearance by the late John Engman in a flashback.
What if you asked me a question and I just asked another question in reply? Or a bunch of questions? Would you find it annoying? Why would I do something like that? To be clever and rhetorical, or coy and evasive?
Here is the genre-defying pilot, in which I say the word “accomplish” so many times it stops holding any meaning whatsoever: part one of my poetry mini interview.
I answer one question a week for the next five weeks.
A poem of mine, Polly, is up at Autumn Sky Poetry Daily.
I was especially pleased that the editor commented on my use of enjambment, since this was a deliberate and essential aspect, along with the mildly twisted syntax, of the poem’s halting flow. I wanted to create a music that both sang and stumbled, like the faltering breath of a fading life and of the survivor who mourns.
(I’ll be honest, I am just a little concerned that people who like this one may be startled by some of my other poems — like those Edina moms who bought the Replacements’ Pleased to Meet Me after hearing “Skyway” on WLOL as they carpooled their kids to hockey practice.)
A poem of mine, Thighbones, Clay, is up at Eunoia Review.
Are you looking through the bent-back tulips to see how the other half lives? Well, now you can satisfy your literary voyeurism without all that skulking under windows or peering furtively through the hedge!
I wrote a haiku, and twenty-eight years later, I finally published it.
(Thanks to @Patti for blowing her own horn, thereby drawing my attention to the publication.)
Some poems of mine have just appeared at Otoliths.