(fleeting)


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Some above/ground author activity

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Now playing:

Cover image for the album If Not Now by Meredith Bates, showing a flat blank wall and the bottom right corner of a boarded up window and window sill; precariously rooted at the corner of the sill, a small plant is growing
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Last, next.

96: Nat’l Parks (Yellowstone)
97: Autumn Trilogy (Scarlet Oak)

Two Field Notes memo books side by side: one used, one new
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I’ve just learned the formidable Otoliths has ended its run after seventy issues.

Few lit mags have published such a dizzying variety of work while also maintaining such an unmistakable and singular vision. Its intrepid editor, Mark Young, is a wonder.

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A poem of mine, “Four Lessons” has just appeared in the fabulous Guesthouse. Many thanks to Jane Huffman for including it among such excellent company.

“Four Lessons” is from my book, Vessels, which will be published next year by Unsolicited Press.

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Now might be a good time to sign up for my (infrequent) newsletter, Three Things.

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Last, next.

95: Great Lakes (Huron)
96: Nat’l Parks (Yellowstone)

Two Field Notes memo books side by side: one used, one new
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Fool. The reason why the seven stars
       are no more than seven is a pretty reason.
Lear. Because they are not eight?
Fool. Yes indeed. Thou wouldst make a good fool.

Finished in June

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Finished in May

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Last, next.

94: Kraft Plus (Wednesday Red)
95: Great Lakes (Huron)

Two Field Notes memo books side by side: one used, one new
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Now playing:

cover for the album Secret Stratosphere by William Tyler and the Impossible Truth showing an illustration of an enormous orange sphere partially draped by a white cloth floating in the sky, with several small clouds nearby
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Another bookmark just resurfaced, this time from Blue Whale in Charlottesville, where I spent some time in the summer of 2000.

bookmark for Blue Whale Book in Charlottesville VA

(Original series here, with subsequent discoveries here.)

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Last, next.

93: Signs of Spring (Ghost Flower)
94: Kraft Plus (Wednesday Red)

Two Field Notes memo books side by side: one used, one new

Finished in March

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Now playing:

Cover image for T Spoon Phillips' album, Lost and Haunted Ways, showing the stone wall of a ruined castle on a green hill, with the English flag (red cross on a white field) flying.
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What? A newsletter? Does the world really need another one of these?

Don’t worry! Mine is obscure, sporadic, and utterly vacuous! You will never feel any pressure to learn anything, be challenged in your beliefs, or even entertained. So go ahead! Subscribe here: “Three Things”

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Now Playing:

Album cover for the improv album Monstrance by Andy Partridge, Barry Andrews, and Martyn Barker, showing a series of orange and black ovals, as if looking down a deep well made of orange and black plastic, with the word Monstrance across the middle of the image in a typeface that seems almost deliberately designed to be virtually illegible.
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Oh look, that’s me reading some poems at the above/ground press 2023 AWP (unofficial) offsite (virtual) reading.

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Twenty Years

On March 3rd, 2003, this quote by Walter Ong was my first post on a long-dead Textpattern blog I installed at a long-gone domain:

The personal diary is a very late literary form, in effect unknown until the seventeenth century… The kind of verbalized solipsistic reveries it implies are a product of consciousness as shaped by print culture. And for which self am I writing? Myself today? As I think I will be ten years from now? As I hope I will be? For myself as I imagine myself or hope others may imagine me? Questions such as this can and do fill diary writers with anxieties and often enough lead to discontinuation of diaries. The diarist can no longer live with his or her fiction.

There were some lost years and there were some silent years, but I’ve always tried to have some sort of blog percolating quietly, like a sad little aquarium in the corner. Even if the fish died from time to time, there were at least a few snails working their methodical way along the glass, and a patient deep-sea diver gazing out impassively from behind its mossy visor, awaiting, like all of us, for a renaissance of wonder.

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I have at times heard people, perhaps in an attempt to be clever, point out that the TV show M∗A∗S∗H ran for 11 years when the entire Korean War only lasted three.

Sure, okay.

But all 256 episodes, back to back, only run about 110 hours, whereas the war lasted 27,072 hours.

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Now Playing:

cover image for the album Travel by the Necks, showing a dark blue field with several gold arrows pointing mostly to the right but with a few faint images pointing left
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Oh look, it’s Bandcamp Friday again.

Finished in February

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Happy 50th to Gravity’s Rainbow.

A copy of Gravity's Rainbow by Thomas Pynchon next to a banana-shaped pouch for the game Bananagrams.